CHARLOTTE
POWELL
DON'T LOOK NOW
Laura
A psychological thriller. Directed by Simon Jessop.
John and Laura Baxter go to Venice to heal their relationship after the tragic drowning of their young daughter. But when a pair of elderly psychics claim to see visions of their dead child it sets in motion a series of dark and dangerous events.
Based on the Daphne Du Maurier story and the iconic film starring Julie Christie and Donald Sutherland. Played at the Queen's Theatre, Hornchurch.
THE LAST OF THE DE MULLINS
Janet De Mullin
A feminist comedy revival from 1908. Directed by Joshua Stamp-Simon
Janet returns to her aristocratic family after an absence of eight years, with her young son in tow, and plenty of challenging views about female emancipation. Too shocking for public performance when it was first written, this revival is the first time the play has been seen on the London stage.
Played a sold-out run at the Jermyn Street Theatre in Piccadilly
SEE WHAT I SEE
The Jailer's Daughter
A Shakespeare Experiment. Directed by Owen Horsley.
Created by Eyestrings Theatre, See What I See looks at madness through the prism of Shakespeare. Taking its text from the Complete Works, See What I See imagines a space where Lady Macbeth, Ophelia and the Jailer's Daughter re-live their descent into madness, supervised by a chorus of doctors and nurses.
Performed at the Oxford Playhouse, and St Clement's Hospital as part of the Shuffle Festival.
WE WILL BE FREE!
Betsy Loveless
The story of the Tolpuddle Martyrs. Directed by Louise Townsend.
A new play for Townsend Productions by Neil Gore, We Will Be Free! tells the story of the first major trade union battle against injustice. A multi-role, actor-musician two-hander, We Will Be Free! brings alive an epic chapter of history.
Toured extensively to large-, mid- and small-scale venues around the country.
THE DUCHESS OF MALFI
Julia and Cariola
The skull beneath the skin. Directed by Owen Horsley.
Created by Eyestrings Theatre, this stripped back version of The Duchess of Malfi shows a world of cold, cruel brutality. Developed over two years, The Duchess of Malfi was nominated for the Peter Brook Empty Space Award 2013 for Best Ensemble.
Performed at the Oxford Playhouse, the Southwark Playhouse, and an extensive national tour.
Marc Antony and Portia / Miranda
Imagined for young people. Directed by Henry Bell.
Part of the Orange Tree Theatre's education programme, Julius Caesar and The Tempest were given a modern settings to update the text for younger audiences. With a cast of four, both shows played in the round to audiences of families and schools.
JULIUS CAESAR/
THE TEMPEST
BLACK CHIFFON
Thea
A lost classic. Directed by Andy Brunskill.
Written by Leslie Storm in 1949, Black Chiffon examines the confines of a patriarchal post-war society. A criminal act tears a family apart from the inside.
Performed at the White Bear Theatre, London